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#SYNCHRO ARTS TITAN OR EDILOAD SOFTWARE#
The third advantage is that you are using the original source audio, rather than clips that might have been processed or converted at some point in the video editing process.Ī fourth reason to use conforming software is that the older OMF format does not support the additional data relating to the other tracks, such as actors’ names and so on. By doing the conform process yourself, you can be sure you have all the options available to you rather than what the video editor or their assistant chose. This also has the advantage of enabling you to look for alternative takes should you need it, rather than being constrained by the takes the video editor selected, which were almost certainly not chosen because they were the best-sounding ones. If you want any more than that, you’ll need to conform, which is where you use the video edit data to bring out all the individual tracks that were recorded on location. The default is usually only two seconds, but I normally ask for at least six and preferably 10 seconds. If you are lucky, or you asked for ‘handles’, you might be able to pull out a small amount of unused audio beyond the edges of these clips, by the amount that the video editor set in the video editing software. Another reason is that AAF and OMF archives don’t include all the audio that was recorded: all you get are the clips the video editor selected. Well, for one thing, when you import the AAF or OMF from the picture edit, the clips may not have their original detailed file names from the field recorder. You might wonder why this is necessary: could you not simply use an AAF or OMF from the picture edit?
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Isn’t Using An AAF Or OMF Enough?Īdding this functionality to a Pro Tools system requires third-party software such as Sounds In Sync EdiLoad or Synchro Arts Titan.
In this article, we are going to concentrate on conforming… What Is Conforming?Ĭonforming, sometimes called assembly, is the process of taking edits made by a picture editor hearing a guide audio track, and imposing the same edits onto multitrack source audio files, so that a high-quality version of the same soundtrack can be produced. We have covered the issue of conforming and re-conforming in the past on Production Expert and the problem Tony refers to is a re-conforming problem rather than a conforming issue.Ĭonforming is not recutting a project because of video edit changes, this is re-conforming and there are different tools to handle this job and we cover that in our article What Is Re-conforming. I am aware of the Pro Tools Insert Time feature, and use the QuickTime player to watch two videos side-by-side when comparing edits, but could you share a more elegant solution for performing this task, please?” Especially when editors provide us with a new picture edit where many shots have been cut or extended by a few frames. It is a common headache among post-production audio editors and mixers.
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“I work in TV post-production and frequently encounter the issue of conforming projects with lots of dialogue, SFX and foley tracks to a new picture edit. Community member Toby Campen got in touch and asked us to look at the thorny issue of conforming and re-conforming sessions in Pro Tools, he asked… et Cie, S.C.A., 22-24 Boulevard Royal, L-2449, Luxembourg.There is a lot of confusion about the difference between conforming and re-conforming in audio post-production. PayPal Pay in 3 is a trading name of PayPal (Europe) S.à.r.l. Pay in 3 performance may influence your credit score. T&Cs apply.Ĭheck out securely with PayPal and choose Pay in 3 from your account.
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